Founded in 1947 as the Georgia Tech Dramatic Club, DramaTech Theatre is Atlanta's oldest
continuously operating theater company.
Georgia Tech had a dramatic organization as early as 1913, when a student troupe later known as the Marionettes was formed. This group disbanded during World War II and in February 1947, a group of drama enthusiasts on campus met with Glenn James and formed the Georgia Tech Dramatic Club. Their first production, The Drunkard, directed by Jack Pompan, IM '48, was so successful that the English department accredited the fledgling organization, enabling it to obtain financial aid from the university system. Members received academic credit from the English department for their involvement. With this impetus, Zenas Sears, a local Atlanta radio personality, became the first professional director of DramaTech and presented a series of one-act plays in the Tech YMCA auditorium in the spring of 1947.
For the next several years, DramaTech was a vagabond organization, presenting its plays in a variety of venues, including the YMCA and the Fowler Street School Auditorium. In 1952, with the assistance of architecture classes, DramaTech moved into a new home in the Crenshaw Field House, where it adopted a unique theatre-in-the-round. Unfortunately, this home proved to be impermanent and DramaTech was forced to move several additional times during the ensuing years, occupying temporary stages in the Community Playhouse and later in the Georgia Tech Center for the Performing Arts. In 1968, the theater troupe moved to the Church of God, which was located at the intersection of Hemphill Avenue and Ferst. A later proposal during the early 1980s to renovate a nearby school, O'Keefe Middle School, proved unsuccessful.
Prior to coeducation and continuing until 1987, Agnes Scott College students and members of the community played women's roles and those which could not logically be portrayed by Georgia Tech students. Just as the Marionettes had in previous years, DramaTech produced critically acclaimed plays that were popular with the community, particularly during the long leadership of Atlanta actress Mary Nell Ivey Santacroce. Santacroce (1918-1999) directed nearly all of DramaTech's productions from 1949 until 1966. Other directors have included Sylvia Zsuffa (1947-1948), Zenas Sears (1948-1949), Gerard Appy (1952-1953), Charles J. Pecor (1967-1971), Fergus Currie (1971-1973), Dana Ivey (1974-1977), and Becky Dettra (1977-1980). Like his predecessors, artistic director Gregory B. Abbott produced numerous critically acclaimed plays during his long tenure. Abbott directed DramaTech from 1984 until his untimely death at the age of 54 in 2006.
In 1992, DramaTech finally acquired a permanent home with the dedication of the Dean James Dull Theatre at the back of the Robert Ferst Center for the Arts (originally called the Georgia Tech Theatre for the Arts). Dull and his wife Gay, long-time supporters of DramaTech, established the Gay K. Dull Scholarship awarded to seniors who have been involved with the organization.
The DramaTech Theatre records include historical information, programs, newsclippings, meeting
minutes, and other materials documenting the history of the organization. The bulk of the materials are contained within files for each production that was performed (see Series 2). These files generally include programs, newspaper clippings, mock-ups of programs, scripts, and other related material regarding each production. Other materials might include public relations materials such as radio spots and articles from other publications, and sketches of blueprints of the sets. These files also included photographs, which have been transferred to the Visual Arts Collection. Many of the photographs appear to have been removed from scrapbooks.
The administrative materials include historical information such as lists of plays performed and the directors who oversaw them, as well as meeting minutes and correspondence (see Series 1, Subseries 1). Later administrative materials (Series 1, Subseries 2) contain files relating to plans during the 1980s to find a new home for DramaTech, as well as files on the move from the Church of God to the newly built Georgia Tech Theatre for the Arts in 1992. A fundraising brochure and a notebook containing minutes of the Theatre for the Arts Board and several committees document the early years of the newly built facility. Correspondence, copies of constitutions, and mock-ups of various DramaTech productions are also included in this subseries.
Four scrapbooks that were originally processed as part of MS020 have been transferred to visual arts and will be processed as VAUA350. These scrapbooks, while largely made up of photographs, also sometimes contain programs, newspaper clippings and other manuscript and printed materials.
None.
Permission to publish materials from this collection must be obtained
from the Head of Archives and Special Collections.
Photographs and scrapbooks will be separately arranged and described as DramaTech Theatre Photograph
Collection, VAUA350.
Abbott, Gregory B.,1952-2006.
College theater--Georgia--Atlanta.
Georgia Institute of Technology--Theaters.
Georgia Institute of Technology. DramaTech Theatre
Georgia Institute of Technology. Ferst Center for the Arts
Georgia Tech Theatre for the Arts.
Santacroce, Mary Nell, 1918-1999.
Theaters--Georgia--Atlanta.
Zsuffa, Sylvia Bassett.
Please cite [Item, Folder Title, Series Title,] DramaTech Theatre Records (UA350), Archives, Library and Information Center, Georgia
Institute of Technology.
DramaTech donated the initial group of records in 1985 (Accession #1985.1201). A subsequent donation was received in 2007 (Accession #2007.102).
Susan J. Illis processed these papers in 2004 as MS020. Christine de Catanzaro and Katherine King processed additional papers, revised the finding aid, and renumbered the collection as UA350 in October 2008.
March 2006: Original finding aid (MS020) converted from EAD Version 1.0 to Version 2002.
October 2008: Original finding aid (MS020) revised and reprocessed as UA350 after the addition of further materials.
Further additions to this collection may be received in the future.
A print copy of this finding aid is available in the Georgia Tech Archives reading room.
| |
|
|
|
|
|
|
|
|
|
|
|
|
SERIES 1:
Administrative materials,
1948-1996
|
|
Description
|
| |
The administrative materials include historical information such as lists of plays performed and the directors who oversaw them, as well as meeting minutes and correspondence (see Series 1, Subseries 1). Later administrative materials (Series 1, Subseries 2) contain files relating to plans during the 1980s to find a new home for DramaTech, as well as files on the move from the Church of God to the newly built Georgia Tech Theatre for the Arts in 1992. A fundraising brochure and a notebook containing minutes of the Theatre for the Arts Board and several committees document the early years of the newly built facility. Correspondence, copies of constitutions, and mock-ups of various DramaTech productions are also included in this subseries.
|
| |
Subseries 1:
Administrative materials,
1948-1976
|
| |
|
|
| |
|
These administrative materials, which were originally processed as MS020 Series 1, include historical information such as lists of plays performed and the directors who oversaw them, as well as meeting minutes and correspondence.
|
| |
|
|
| |
|
Folders are listed alphabetically by folder title, followed by an alphabetical list of oversize materials (Box 4).
|
| |
Box
|
Folder
|
|
|
1
|
1 |
History,
1963
|
|
|
|
2 |
Correspondence,
1955-1975
|
|
|
|
3 |
DramaTech Journal,
1970-1976
|
|
|
|
4 |
Membership rolls,
1948-1975
|
|
|
|
5 |
Meeting minutes,
1961
|
|
|
|
6 |
Notes,
1961-1975
|
|
|
|
7 |
Programs,
1973-1986
|
| |
Box
|
Folder
|
|
|
4
|
1 |
Correspondence,
1953-1956
|
|
|
|
3 |
Secretaries' Notes notebook (minutes, notes),
1948-1952
|
|
|
|
4 |
Secretaries' Notes notebook enclosures,
undated
|
| |
Subseries 2:
Administrative materials,
1976-1997
|
| |
|
|
| |
|
These administrative materials are mainly those that were acquired in 2007. They contain files relating to plans during the 1980s to find a new home for DramaTech, as well as files on the move from the Church of God to the newly built Georgia Tech Theatre for the Arts in 1992. A fundraising brochure and a notebook containing minutes of the Theatre for the Arts Board and several committees document the early years of the newly built facility. Correspondence, copies of constitutions, and mock-ups of various DramaTech productions (oversize) are also included in this subseries.
|
| |
|
|
| |
|
Folders are listed alphabetically by folder title, followed by an alphabetical list of oversize materials (Boxes 4 and 5).
|
| |
Box
|
Folder
|
|
|
14
|
1 |
Calendar re: theater move,
1992
|
|
|
|
2 |
Constitutions,
1979-1991
|
|
|
|
3 |
Correspondence,
ca. 1984-1997
|
|
|
|
4 |
DramaTech Journal issue 1,
Fall 1993
|
|
|
|
5 |
Finances re: theater move,
1992
|
|
|
|
6 |
Fire marshall report,
April 1980
|
|
|
|
7 |
Flyers, brochures,
ca. 1980s
|
|
|
|
8 |
Flyers (other organizations),
undated
|
|
|
|
9 |
Forms, letterhead,
undated
|
|
|
|
10 |
Memo re: current state of DramaTech,
October 1983
|
|
|
|
11 |
Memos re: Student Center expansion,
November 1984
|
|
|
|
12 |
Newspaper clippings,
1981-1997 and undated
|
|
|
|
13 |
O'Keefe Auditorium renovation proposal,
March 1981
|
|
|
|
14 |
Plays: Foolz contact list,
undated
|
|
|
|
15 |
Plays: Foreplay script,
ca. 1993
|
|
|
|
16 |
Plays: The Monkey's Paw script,
undated
|
|
|
|
17 |
Plays: Sylvia script (with lighting notes),
undated
|
|
|
|
18 |
Plays (unidentified): Props list,
undated
|
|
|
|
19 |
Proposal for the disposition of the Church of God,
ca. 1980
|
|
|
|
20 |
Specifications re: theater move,
ca. 1992
|
|
|
|
21 |
The Tech Commandments,
undated
|
|
|
|
22 |
Technical Services Committee proposal,
undated
|
| |
Box
|
Folder
|
|
|
15
|
1 |
Theatre for the Arts fundraising brochure,
ca. 1991
|
|
|
|
2 |
Theatre for the Arts notebook (folder 1 of 2),
ca. 1993-1996
|
|
|
|
3 |
Theatre for the Arts notebook (folder 2 of 2),
ca. 1993-1996
|
|
|
|
4 |
Theatre for the Arts workshop operation guidelines,
January 1994
|
| |
Box
|
Folder
|
|
|
5
|
1 |
Drawings: Georgia Tech auditorium,
January 1994
|
| |
Box
|
Folder
|
|
|
4
|
5 |
Flyers, posters,
1980-1989
|
|
|
|
2 |
Newspaper clippings,
1985
|
| |
Box
|
Folder
|
|
|
5
|
2 |
Posters, newspaper clippings,
ca. 1980-1989
|
|
|
|
3 |
Program mock-ups (folder 1 of 3),
ca. 1980-1989
|
|
|
|
4 |
Program mock-ups (folder 2 of 3),
ca. 1980-1989
|
|
|
|
5 |
Program mock-ups (folder 3 of 3),
ca. 1980-1989
|
|
|
|
6 |
Program mock-ups: The Caine Mutiny Court-Martial,
1976
|
|
|
|
7 |
Program mock-ups: Flowers for Algernon,
ca. 1977
|
|
|
|
8 |
Program mock-ups: Laundry and Bourbon,
April-June 1988
|
|
|
|
9 |
Program mock-ups: Sinfully Delightful,
ca. 1990
|
|
|
|
10 |
Set sketches, lighting charts: Lysistrata and other plays,
ca. 1980-1985
|
|
SERIES 2:
Production files,
1947-2004
|
|
Description
|
| |
The materials in this series consist of files for each production. These files generally include programs, newspaper clippings, mock-ups of programs, scripts, and other related material regarding each production. Other materials might include public relations materials such as radio spots and articles from other publications, and sketches of blueprints of the sets.
|
| |
Subseries 1:
Production files,
1947-1979
|
| |
|
|
| |
|
This subseries contains production files for play performances from 1947 to 1979. These files were originally processed as MS020 Series 2.
|
| |
|
|
| |
|
Folders are arranged chronologically.
|
| |
Box
|
Folder
|
|
|
1
|
8 |
Three One-Act Plays,
Apr 1947
|
|
|
|
9 |
The Drunkard,
May 1947
|
|
|
|
10 |
The Male Animal,
Nov 1947
|
|
|
|
11 |
The Front Page,
Nov 1948
|
|
|
|
12 |
Petrified Forest,
Feb 1949
|
|
|
|
13 |
Heaven Can Wait and Room Service,
May-Nov 1949
|
|
|
|
14 |
See My Lawyer,
Nov 1950
|
|
|
|
15 |
The Traitor,
Feb 1951
|
|
|
|
16 |
Boy Meets Girl,
May 1951
|
|
|
|
17 |
The Live Wire,
Nov 1951
|
|
|
|
18 |
Whistling in the Dark,
Feb 1952
|
|
|
|
19 |
Yellow Jacket,
May 1952
|
|
|
|
20 |
The Milky Way,
Nov 1952
|
|
|
|
21 |
The Hasty Heart,
Feb 1953
|
|
|
|
22 |
Stalag 17,
May 1953
|
|
|
|
23 |
Mr. Roberts,
Nov 1953
|
|
|
|
24 |
Detective Story,
Feb 1954
|
|
|
|
25 |
The Pursuit of Happiness,
May 1954
|
|
|
|
26 |
Harvey,
Nov 1954
|
|
|
|
27 |
Key Largo,
Feb 1955
|
|
|
|
28 |
Charlie's Aunt,
May 1955
|
|
|
|
29 |
The Front Page,
Nov 1955
|
|
|
|
30 |
Home of the Brave,
Feb 1956
|
|
|
|
31 |
The Road to Rome,
May 1956
|
|
|
|
32 |
At War with the Army,
Nov 1956
|
|
|
|
33 |
Much Ado About Nothing,
Nov 1957
|
|
|
|
34 |
Desire Under the Elms,
Feb 1958
|
|
|
|
35 |
Abie's Irish Rose,
May 1958
|
|
|
|
36 |
What Price Glory,
Nov 1958
|
|
|
|
37 |
There Shall Be No Night,
Feb 1959
|
|
|
|
38 |
My Three Angels,
May 1959
|
|
|
|
39 |
Androcles and the Lion,
Nov 1959
|
|
|
|
40 |
Visit to a Small Planet,
Feb 1960
|
|
|
|
41 |
Major Barbara,
May 1960
|
|
|
|
42 |
The Skin of Our Teeth,
Nov 1960
|
|
|
|
43 |
Death of a Salesman and Rainmaker,
Feb-May 1961
|
|
|
|
44 |
Look Homeward Angel,
Nov 1961
|
|
|
|
45 |
Under the Sycamore Tree,
Feb 1962
|
| |
Box
|
Folder
|
|
|
2
|
1 |
Saint Joan,
May 1962
|
|
|
|
2 |
Teahouse of the August Moon,
Nov 1962
|
|
|
|
3 |
Twelve Angry Men,
Feb 1963
|
|
|
|
4 |
Galileo,
Nov 1963
|
|
|
|
5 |
Time Limit,
1963-1964
|
|
|
|
6 |
Sunday in New York,
1964-1965
|
|
|
|
7 |
An Enemy of the People,
Feb 1965
|
|
|
|
8 |
See How They Run,
May 1965
|
|
|
|
9 |
The Mouse That Roared,
Nov 1965
|
|
|
|
10 |
Alas, Babylon,
Feb 1966
|
|
|
|
11 |
Journey's End,
May 1966
|
|
|
|
12 |
The Man Who Came to Dinner,
Nov 1966
|
|
|
|
13 |
Becket,
Feb 1967
|
|
|
|
14 |
The Tender Trap,
May 1967
|
|
|
|
15 |
John Brown's Body,
Nov 1967
|
|
|
|
16 |
The Crucible,
Feb 1968
|
|
|
|
17 |
Goodbye, Charlie,
May 1968
|
|
|
|
18 |
Inherit the Wind,
Nov 1968
|
|
|
|
19 |
The Skin of Our Teeth,
Feb 1969
|
|
|
|
20 |
Invitation to a March,
Aug 1972
|
|
|
|
21 |
The Importance of Being Earnest,
Nov 1972
|
|
|
|
22 |
The Crucible,
Feb 1973
|
|
|
|
23 |
What the Butler Saw,
May 1973
|
|
|
|
24 |
Feiffer's People,
Aug 1973
|
|
|
|
25 |
The Lion in Winter,
Feb 1974
|
|
|
|
26 |
The Adding Machine,
Nov 1973
|
|
|
|
27 |
Fantasticks,
May 1974
|
|
|
|
28 |
Love Rides the Rails,
Jul 1974
|
|
|
|
29 |
The Firebugs,
Nov 1974
|
|
|
|
30 |
Advise and Consent,
Feb 1975
|
| |
Box
|
Folder
|
|
|
3
|
1 |
Physician in Spite of Himself,
Nov 1969
|
|
|
|
2 |
Cat on a Hot Tin Roof,
Feb 1970
|
|
|
|
3 |
Don't Drink the Water,
May 1970
|
|
|
|
4 |
Black Comedy,
Sep 1970
|
|
|
|
5 |
Orpheus Descending,
Nov 1970
|
|
|
|
6 |
Rhinoceros,
Feb 1971
|
|
|
|
7 |
Auntie Mame,
Nov 1971
|
|
|
|
8 |
A Streetcar Named Desire,
Feb 1972
|
|
|
|
9 |
Ten Little Indians,
May 1972
|
|
|
|
10 |
The Drunkard,
May 1975
|
|
|
|
11 |
Visit to a Small Planet,
Nov 1975
|
|
|
|
12 |
The Caine Mutiny Court Martial,
Feb 1976
|
|
|
|
13 |
The Rainmaker,
May 1976
|
|
|
|
14 |
The Proposal, and Black Comedy,
Aug 1976
|
|
|
|
15 |
Taming of the Shrew,
Nov 1976
|
|
|
|
16 |
Catch-22,
Feb 1977
|
|
|
|
17 |
Spoon River Anthology,
May 1977
|
|
|
|
18 |
Bus Stop,
Aug 1977
|
|
|
|
19 |
Wait Until Dark,
Nov 1977
|
|
|
|
20 |
A Thousand Clowns,
May 1978
|
|
|
|
21 |
Flowers for Algernon,
Nov 1978
|
|
|
|
22 |
A Man for All Seasons,
Feb 1979
|
|
|
|
23 |
Butterflies Are Free,
May 1979
|
|
|
|
24 |
The Hollow,
Aug 1979
|
|
|
|
25 |
The Desperate Hours,
Nov 1979
|
| |
Subseries 2:
Production files,
1971-2004
(bulk 1976-2003)
|
| |
|
|
| |
|
This subseries contains production files for play performances from 1976 to 2004. These files were obtained in the 2007 donation.
|
| |
|
|
| |
|
Folders are arranged chronologically.
|
| |
Box
|
Folder
|
|
|
6
|
1 |
Programs,
1971-1977
|
|
|
|
2 |
The Caine Mutiny Court Martial,
February-March 1976
|
|
|
|
3 |
Inherit the Wind,
January-March 1978
|
|
|
|
4 |
The Desperate Hours,
September-November 1979
|
|
|
|
5 |
J.B.,
January-March 1980
|
|
|
|
6 |
The Tempest,
April-June 1980
|
|
|
|
7 |
Who's Happy Now?,
June-August 1980
|
|
|
|
8 |
Lysistrata,
September-November 1980
|
|
|
|
9 |
Act Without Words,
January-March 1981
|
|
|
|
10 |
Beyond,
January-March 1980
|
|
|
|
11 |
Not Enough Rope,
January-March 1980
|
|
|
|
12 |
Pippin,
January-March 1980
|
|
|
|
13 |
Who's Afraid of Virginia Woolf?,
April-June 1981
|
|
|
|
14 |
The Merchant of Venice,
September-November 1981
|
|
|
|
15 |
Steambath,
January-March 1982
|
|
|
|
16 |
A Funny Thing Happened on the Way to the Forum,
April-June 1982
|
|
|
|
17 |
Play It Again Sam,
June-August 1982
|
|
|
|
18 |
As You Like It,
September-November 1982
|
| |
Box
|
Folder
|
|
|
7
|
1 |
Jumpers,
January-March 1983
|
|
|
|
2 |
West Side Story,
April-June 1983
|
|
|
|
3 |
Godspell,
June-August 1983
|
|
|
|
4 |
Cyrano de Bergerac,
September-November 1983
|
|
|
|
5 |
Blythe Spirit,
January-March 1984
|
|
|
|
6 |
How To Succeed in Business Without Really Trying,
April-June 1984
|
|
|
|
7 |
You Can't Take It With You,
June-August 1984
|
|
|
|
8 |
No Sex Please, We're British!,
September-November 1984
|
|
|
|
9 |
The Dining Room,
January-March 1985
|
|
|
|
10 |
Jacques Brel Is Alive and Well,
April-June 1985
|
|
|
|
11 |
Sherlock Holmes And The Case of The Century,
June-August 1985
|
|
|
|
12 |
Inherit the Wind,
June-august 1985
|
|
|
|
13 |
Comedy of Errors,
January-March 1986
|
|
|
|
14 |
The Good Doctor,
April-June 1986
|
|
|
|
15 |
Once Upon A Mattress,
June-August 1986
|
|
|
|
16 |
Sly Fox,
September-November 1986
|
|
|
|
17 |
Rimers of Eldritch,
January-March 1987
|
|
|
|
18 |
Agatha Christie's The Mousetrap,
June-August 1987
|
| |
Box
|
Folder
|
|
|
8
|
1 |
Arms and the Man,
April-June 1987
|
|
|
|
2 |
The Odd Couple,
September-November 1987
|
|
|
|
3 |
Blue Hour/Laundry and Bourbon,
January-March 1988
|
|
|
|
4 |
The Tempest,
April-June 1988
|
|
|
|
5 |
Exit the Body,
June-August 1988
|
|
|
|
6 |
Dark the Moon,
September-November 1988
|
|
|
|
7 |
The Foreigner,
January-March 1989
|
|
|
|
8 |
Mid-Summer Night's Dream,
April-June 1989
|
|
|
|
9 |
The Diviners,
September-November 1987
|
| |
Box
|
Folder
|
|
|
9
|
1 |
How The Other Half Loves,
June-August 1989
|
|
|
|
2 |
A Peachtree Haunting,
January-March 1990
|
|
|
|
3 |
Isle of Dogs,
January-March 1990
|
|
|
|
4 |
Lunacy,
June-August 1990
|
|
|
|
5 |
Women/God in Congress,
September-December 1990
|
|
|
|
6 |
Seduced,
January-March 1990
|
|
|
|
7 |
The Memorandum,
January-March 1991
|
|
|
|
8 |
International Festival,
January-March 1991
|
|
|
|
9 |
The Lion In Winter,
January-March 1991
|
|
|
|
10 |
Pippin,
April-June 1991
|
| |
Box
|
Folder
|
|
|
10
|
1 |
The Nerd,
June-August 1991
|
|
|
|
2 |
Fahrenheit 451,
September-November 1991
|
|
|
|
3 |
International Festival,
January-March 1992
|
|
|
|
4 |
The Illusion,
January-March
1992
|
|
|
|
5 |
Hunting Cockroaches,
January-March
1992
|
|
|
|
6 |
A Funny Thing Happened on the Way to the Forum,
June-August
1992
|
|
|
|
7 |
Major Barbara,
January-March
1992
|
|
|
|
8 |
Pajama Tops,
June-August
1992
|
|
|
|
9 |
The Taming of The Shrew,
September-November
1992
|
|
|
|
10 |
Open House,
September-November
1992
|
|
|
|
11 |
Gala Grand Opening,
September-November
1992
|
|
|
|
12 |
Assassins,
January-March
1993
|
|
|
|
13 |
Voice of the Prairie,
April-June
1993
|
|
|
|
14 |
The Island,
April-June
1993
|
|
|
|
15 |
Open House,
September-November
1993
|
|
|
|
16 |
Jacque and His Master,
September-November
1993
|
|
|
|
17 |
Late Night Special,
June-August
1993
|
| |
Box
|
Folder
|
|
|
11
|
1 |
Boot Camp,
June-August
1993
|
|
|
|
2 |
The Skin of Our Teeth,
September-November
1993
|
|
|
|
3 |
Agnes of God,
June-August
1994
|
|
|
|
4 |
T-Bone n Weasel,
April-June
1994
|
|
|
|
5 |
The Hostage,
April-June
1994
|
|
|
|
6 |
The Glass Menagerie,
September-November
1994
|
|
|
|
7 |
Studio Shows,
September-November
1994
|
|
|
|
8 |
The Real Inspector Hound,
September-November
1994
|
|
|
|
9 |
The Loveliest Afternoon of the Year,
September-November
1994
|
|
|
|
10 |
Macbeth,
January-March
1995
|
|
|
|
11 |
Joseph and the Amazing Technicolor Dreamcoat,
April-June
1995
|
|
|
|
12 |
Awards Banquet,
April-June
1995
|
|
|
|
13 |
Equus,
September-November
1995
|
|
|
|
14 |
Into The Woods,
January-March
1996
|
|
|
|
15 |
Personals,
June-August
1995
|
|
|
|
16 |
The Miser,
April-June
1996
|
|
|
|
17 |
Foul Play (Eggshell 2),
April-June
1996
|
| |
Box
|
Folder
|
|
|
12
|
1 |
Menage a Trois,
January-March
1996
|
|
|
|
2 |
Godspell,
January-March
1997
|
|
|
|
3 |
1984,
April-June
1997
|
|
|
|
4 |
Demons,
April-June
1997
|
|
|
|
5 |
Henry V,
September-November
1997
|
|
|
|
6 |
Bacchae,
January-March
1998
|
|
|
|
7 |
The Who's Tommy,
April-June
1998
|
| |
Box
|
Folder
|
|
|
13
|
1 |
I Hate Hamlet,
June-August
1998
|
|
|
|
2 |
The Fiddler On The Roof,
April-June
1999
|
|
|
|
3 |
Faustus,
April-June
1999
|
|
|
|
4 |
Rosencrantz and Guildenstern Are Dead,
June-August
1999
|
|
|
|
5 |
Frankenstein,
September-December
1999
|
|
|
|
6 |
Studio Shows,
September-November
1999
|
|
|
|
7 |
Grease,
September-December
1999
|
|
|
|
8 |
Electricity… We Shall Be Monsters,
September-December
2000
|
|
|
|
9 |
Banquet,
April-June
2000
|
|
|
|
10 |
Much Ado About Nothing,
April-June
2000
|
|
|
|
11 |
Noises OFF!,
September-November
2000
|
|
|
|
12 |
Bridal Terrorism,
September-December
2000
|
|
|
|
13 |
Open House,
September-December
2000
|
|
|
|
14 |
A Funny Thing Happened on The Way To The Forum,
April-June
2000
|
|
|
|
15 |
Arms and The Man,
June-August
2001
|
|
|
|
16 |
Awards Banquet,
April-June
2002
|
|
|
|
17 |
The Complete Works of Shakespeare(Abridged),
June-August
2002
|
|
|
|
18 |
Dean Dull's birthday party,
April-June
2003
|
|
|
|
19 |
Let's Try This! Improvisation comedy troupe,
ca. 1999-2004
|
